Where Is the Line? (On Advertorials and Front Page Ads)
March 9, 2010
No one would claim that the garden variety advertorial is a journalistic endeavor. Situated alongside a publication’s content, however, it can often be mistaken as real – especially if designers have taken great pains to replicate font, layout and details.
Advertorials happen. They happen all the time. Whether you think they’re effective or misleading, you probably rarely give them a second thought.
That is, until they begin appearing on your front page.
Alice In Wonderland
Historically, newspapers and magazines have held the front page as an Advertising Free Zone. It only makes sense. No one buys a publication because of the ads on the front; they look to the cover as a de facto table of contents. That’s where the impulse to purchase is created.
But with the decline in advertising revenues, publications have begun allowing more and more leeway. Small banner ads appear near the bottom of the front page. Plastic covers promote wireless services. Post-it notes offer coupons. Ads are creeping into that valuable space, precisely because it’s valuable. Precisely because magazines and newspapers can’t sell the insides as much as they once could.
So, you can imagine, if you offer a newspaper $700,000 to print a full front-page wrap, there’s a good chance they’re going to take it.
That’s what Disney did with the Los Angeles Times. The ad – a four-page wrap that mimicked the Times’ front page – was designed to “create buzz, and to extend the film’s already brilliant marketing campaign,” said John Conroy, spokesman for the Times. It also pushed the day’s headlines to a second page.
It’s not the first time the Times has slipped advertising in under the radar. Last April, an ad for NBC’s Southland gave only minimal indication that it was, indeed, an advertisement – and that was long after the “article” would have been read.
Newspapers: a Vehicle for Journalism or Advertising?
Which begs the question: where is the line? When does journalism begin and advertising end?
According to the American Society of Magazine Editors, ads and editorial content require a clear separation, and front-page ads not allowed. But when faced with the decision between selling a lucrative front cover ad and the ASME’s minimal repercussions (a letter or reprimand and exclusion from the National Magazine Awards), there’s often no more than the approval of a publisher standing in the way.
More than anything, newspaper and magazine readers place their trust in the publications they’re consuming. When ads are placed in a way that blurs the line between editorial and advertising – when advertisers seek to gain attention through deception by designing an ad that looks like real content - that trust is taken advantage of.
In other words, the content of the ads should be considered – not the location.
The Times ad reaches the news outlets because it’s on the front page. But it’s clearly an ad. It steers clear of deception simply because it’s too big to be believable. No one read that and thought, “this is a Los Angeles Times article about the movie.”
However, an advertorial clearly wants to be seen as content. Its entire premise is dependent upon a reader seeing it as an article. Posing as something it’s not, the advertorial plays upon the trust of the reader.
In other words, outrage seems to be misguided because the definition is so hazy. The line is smudged. Possibly irreparably. And it’s up to us – as advertisers and publishers – to, once and for all, redraw the line. Clean it up. Set some standards.
The balance, really, stands between editorial honor and the need to keep the lights on. We can take sides, fighting against either the stuffiness of journalistic integrity or the demons of advertising greed. But both sides have their arguments. Because without determining where that line is – the line between honorable content and the advertising that helps pay for it – we may lose the trust of our readership.
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